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"[A] play, which I presume to call original": Appropriation, creative genius, and eighteenth-century playwriting
Studies in the Literary Imagination, Spring 2001 by Kewes, Paulina
Gray, Charles Harold. Theatrical Criticism in London to 1795. New York: Columbia University Press, 1931.
Gray's Inn Journal 15 December 1753.
Grazia, Margreta de. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Clarendon Press, 1991.
Griffith, Elizabeth. The School for Rakes. London, 1769.
Guthrie, William. An Essay upon English Tragedy. With Remarks upon the Abbe de Blanc's Observations on the English Stage. London, 1747.
Hammond, Brean S. Professional Imaginative Writing in England, 1670-1740: "Hackney for Bread." Oxford: Clarendon Press, 1997.
Hume, Robert D. The Rakish Stage: Studies in English Drama, 1660-1800. Carbondale and Edwardsville: Southern Illinois University Press, 1983.
Hunter, J. Paul. "The World as Stage and Closet." British Theatre and the Other Arts, 1660-1800. Ed. Shirley Strum Kenny. Washington, DC: Folger Library, 1984. 271-87.
Hurd, Richard. A Letter to Mr. Mason; On the Marks of Imitation. Cambridge, 1757. Inchbald, Elizabeth. Lovers' Vows. London, 1798.
The Child of Nature. A Dramatic Piece, In Four Acts. From the French of Madame the Marchioness of Sillery, Formerly Countess of Genlis. Performing at the Theatre Royal, Covent Garden. Second Edition. By Mrs. Inchbald. London, 1789.
The Married Man. A Comedy, in Three Acts. From Le Philosophe Marie of M. Nericault Destouches ... By Mrs. Inchbald. London, 1789.
The Midnight Hour. A Comedy, in Three Acts. From the French of M. Damaniant, Called Guerre Ouverte; ou, Ruse Contreruse. As it is now performing at the Theatre Royal, Covent Garden. Translated by Mrs. Inchbald. London, 1787.
The Widow's Vow. London, 1786.
Jacob, Giles. The Poetical Register: or The Lives and Characters of the English Dramatick Poets. With an Account of their Writings. London, 1719.
Jarvis, Simon. Scholars and Gentlemen: Shakespearian Textual Criticism and Representations of Scholarly Labour, 1725-1765. Oxford: Clarendon Press, 1995.
Kernan, Alvin. Printing Technology, Letters and Samuel Johnson. Princeton: Princeton University Press, 1987.
Kewes, Paulina. Authorship and Appropriation: Writing for the Stage in England, 1660-1710. Oxford: Clarendon Press, 1998.
Plays as Property, 1660-17 10." A Nation Transformed. England After the Restoration. Eds. Alan Houston and Steven A. Pincus. Cambridge: Cambridge University Press, 2000. 211-40. Langbaine, Gerard. Momus Triumphans. London, 1688.
-. An Account of the English Dramatick Poets. London, 1691.
Lennox, Charlotte. Shakespear Illustrated& or The Novels and Histories, On which the Plays of Shakespear are Founded, Collected and Translated from the Original Authors. With Critical Remarks. In Two Volumes. By the Author of the Female Quixote. London, 1753.
Lillo, George. The Works of George Lillo; with Some Account of his Life. 2 vols. London, 1775.
The London Stage, 1660-1800. Part 5: 1776-1800. Ed. Charles Beecher Hogan. 3 vols. Carbondale: Southern Illinois University Press, 1968.
Lynch, James 1. Box, Pit, and Gallery: Stage and Society in Johnson's London. Berkeley and Los Angeles: University of California Press, 1953.