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Elizabeth Bishop: Nova Scotia in Brazil
Papers on Language and Literature, Summer 2001 by Axelrod, Steven Gould
10jacques Lacan emphasizes the close approximation of pictorial representation and the self as object of the gaze, as being who is looked at: "I must, to begin with, insist on the following: in the scopic field, the gaze is outside, I am looked at, that is to say, I am a picture" (106). Bishop's repeated imaging of the Nova Scotian scene as map, stained picture, or painting suggests that it is the remembering subject, and her ontological anxiety as object of the world's gaze, that is at issue in such recollections or reconstructions.
WORKS CITED
Bhabha, Homi K. The Location of Culture. London: Routledge, 1994. Bishop, Elizabeth. The Collected Prose. New York: Farrar, Straus & Giroux, 1984.
The Complete Poems 1927-1979. New York: Farrar, Straus & Giroux, 1983.
Curry, Renee R. White Women Writing White: H. D., Elizabeth Bishop, Sylvia Plath and Whiteness. Westport, CT: Greenwood Press, 1999.
Dickinson, Emily. The Poems of Emily Dickinson. 3 vols. Ed. Thomas H. Johnson. Cambridge, MA: Harvard UP, 1955.
Eliot, T. S. The Complete Poems and Plays 1909-1950. New York: Harcourt, Brace &World, 1971.
Fountain, Gary and Peter Brazeau. Remembering Elizabeth Bishop: An Oral Biography. Amherst, MA: U of Massachusetts P, 1994.
Freud, Sigmund. "Mourning and Melancholia" (1917). The Standard Edition of the Complete Psychological Works. Vol. 14. Trans. and ed. James Strachey et al. London: Hogarth P, 1955. 237-58.
. "The `Uncanny"' (1919). The Standard Edition of the Complete Psychological Works. Vol. 17. Trans. and ed. James Strachey et al. London: Hogarth P, 1955. 217-56.
Goldensohn, Lorrie. Elizabeth Bishop: The Biography of a Poetry. New York: Columbia UP, 1992.
Harrison, Victoria. Elizabeth Bishop's Poetics of Intimacy. Cambridge, Eng.: Cambridge UP, 1993.
Lacan, Jacques. The Four Fundamental Concepts of Psycho-Analysis (1973). Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York: W. W. Norton, 1978.
Lowell, Robert. Life Studies. New York: Farrar, Straus & Giroux, 1959. Near the Ocean. New York: Farrar, Straus & Giroux, 1967. Mallarme, Stephane. "Le vierge, le vivace et le bel aujourd'hui" (1885).
Poems. Ed. C. F. MacIntyre. Berkeley: U of California P, 1965. 82. McCabe, Susan. Elizabeth Bishop: Her Poetics ofLoss. University Park: Pennsylvania State UP, 1994.
Millier, Brett C. Elizabeth Bishop: Life and the Memory of It. Berkeley: U of California P, 1993.
Moore, Marianne. Complete Poems. New York: Macmillan/Viking, 1967. Travisano, Thomas. Elizabeth Bishop: Her Artistic Development. Charlottesville: U of Virginia P, 1988.
STEVEN GOULD AXELROD is Professor of English at the University of California, Riverside. His books include Robert Lowell Life and Art (1978) and Sylvia Plath: The Wound and the Cure of Words (1990). He is currently working on a book about mid-twentieth-century American poets.
Copyright Southern Illinois University at Edwardsville Summer 2001
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