Public Subjects: Race and the Critical Reception of Gwendolyn Brooks, Erica Hunt, and Harryette Mullen
Frontiers, 2005 by Cummings, Allison
55. Mullen, Muse & Drudge, 78.
56. The quoted phrases are from Henning, "Interview," 5. In her "Interview" with Mullen, Elisabeth Frost also notes the volume's amenability to communal deciphering (405), and various participants at the Barnard Conference, "Where Lyric Tradition Meets Language Poetry," mentioned successfully teaching the volume in such contexts.
57. Mullen, Muse & Drudge, 15, 21.
58. Baker, "Preface," 246.
59. Joel Peckham, "Jean Toomer's Cane: Self as Montage and the Drive toward Integration," American Literature 72, no. 2 (June 2000): 277-79.
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ALLISON CUMMINGS is an associate professor of English at Southern New Hampshire University in Manchester, New Hampshire, where she teaches American literature, creative writing, contemporary poetry, gender studies, and composition. She has published essays on contemporary American women's poetry in the essay collections After New Formalism: Poets on Form, Narrative, and Tradition and New Definitions of Lyric Theory; Technolog); and Culture. In 1999, she organized a conference at Barnard College, "Where the Lyric Tradition Meets Language Poetry," with Claudia Rankine. She is the editor of the literary journal Anwskeag and is currently revising a poetry manuscript.
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