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A home modeled for conservation
Southern Living, Nov 2002 by Latham, Tanner C
This cottage is part of a program that demonstrates how man and nature can coexist on the Eastern Shore of Virginia.
Sited on a piece of land just beyond the back edge of a cornfield is the Volgenau Cottage. Its gray cedar-- shingled siding and sprawling, asymmetrical design let us know we are on Virginia's Eastern Shore.
At first glance, you might assume the cottage is a typical 1890s farmhouse commonly found in nearby Nassawadox. However the style was merely the inspiration for the home, built in 1997. A few years earlier, the Virginia Coast Reserve, a program of The Nature Conservancy, teamed up with The Volgenau Foundation, a family-run, private-operating organization, to build a model home on Phillips Creek Farm. The farm was a prototype for compatible economic development. "We wanted to preserve the natural resources and their ability to function productively," says Michael Lipford, Virginia director of The Nature Conservancy. Phillips Creek Farm is only one of several farms in the Reserve's Seaside Farm Program, created to ensure protection of coastal bays and marshes.
The Reserve uses the cottage to house and educate its guests who are curious about the program, namely leaders from across the country interested in conservation. "Our goal was to create a model of residential development so that it could be replicated elsewhere," says Lynn Badger, associate director of the Reserve.
Traditional and Contemporary
The cottage masterfully combines modern design with a classic feel. Siting was the first task. So residential designer Corbin Tucker and landscape designer Vladimir Gavrilovic followed the lead of early settlers and placed the house on the highest point.
Corbin, who designed both the exterior and interiors, used the lighthouse keeper's cottage on nearby Smith Island, an Eastern Shore landmark built in 1892, as a model. The new house is appropriate to the period, but modern conveniences and building materials were also implemented into the design.
"We wanted it to fit in and feel like it had always been there, and it does," Corbin explains. TANNER C. LATHAM
Copyright Southern Progress Corporation Nov 2002
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