"Looking at One's Self Through the Eyes of Others": W. E. B. Du Bois's Photographs for the 1900 Paris Exposition

(22.) See Michel Foucault, The History of Sexuality, Vol. 1, for a discussion of how "repression" works to perpetuate a proliferation of discourses around the objects or acts it would seem to deny.

(23.) Kaja Silverman defines the "productive look" as a means of looking that is not completely predetermined by cultural paradigms or even by material objects under view. For Silverman, the "productive look" is a transformative look, a means of seeing beyond the "screen" of cultural programming (180-93).

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