African American Review

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Articles in Summer-Fall 2003 issue of African American Review

• Fashion this, from the Irony of the world
  by Amiri Baraka
• On the sound of water: Amiri Baraka's "Black Art"
  by Sherry Brennan
• James O. and Lois E. Horton. Hard Road to Freedom: The Story of African America
  by Joe W. Trotter
• Keith Clark. Black Manhood in James Baldwin, Ernest J. Gaines, and August Wilson
  by D. Quentin Miller
• Nicole King. C. L. R. James and Creolization: Circles of Influence
  by Paul Buhle
• Somebody Blew Up America
  by Amiri Baraka
• Baraka's Billie Holiday as a blues poet of black longing
  by Farah Jasmine Griffin
• Shane White. Stories of Freedom in Black New York
  by Lauren Hauptman
• Daryl Cumber Dance, ed. Honey, Hush!: An Anthology of African American Women's Humor
  by Mary Ellen Doyle
• Deborah Willis and Carla Williams. The Black Female Body: A Photographic History
  by Bridget R. Cooks
• The McVouty Bible
  by Amiri Baraka
• Fugitive fictions
  by Aldon Nielsen
• David Brion Davis. In the Image of God: Religion, Moral Values, and Our Heritage of Slavery
  by Anthony B. Pinn
• William B. Gould, IV. Diary of a Contraband: The Civil War Passage of a Black Sailor
  by Susan L. Blake
• Nancy Bunge, ed. Conversations with Clarence Major
  by Jerome Klinkowitz
• Amiri Baraka analyzes how he writes
  by Kalamu ya Salaam
• The space machine: Baraka and science fiction
  by Paul Youngquist
• Iyunolu Folayan Osagie. The Amistad Revolt: Memory, Slavery, and the Politics of Identity in the United States and Sierra Leone
  by Diedre L. Badejo
• Annetta B. Gomez-Jefferson. The Sage of Tawawa: Reverdy Cassius Ransom, 1861-1959
  by Robert F. Fleissner
• Martin Duberman. Left Out, the Politics of Exclusion: Essays, 1964-2002
  by Robert J. Butler
• LeRoi Jones, Larry Neal, and The Cricket: jazz and poets' Black Fire
  by Christopher Funkhouser
• In the tradition: Amiri Baraka, black liberation, and avant-garde praxis in the U.S
  by Daniel Won-gu Kim
• Matthew Pratt Guterl. The Color of Race in America, 1900-1940
  by Cynthia Young
• Herbert Woodward Martin and Ronald Primeau, eds. In His Own Voice: The Dramatic and Other Uncollected Works of Paul Laurence Dunbar
  by Dickson D. Bruce, Jr.
• Jack L. Daniel and Omari C. Daniel. We Fish: the Journey to Fatherhood
  by Robert L. Tener
• Politics, process & performance: Amiri Baraka's "It's Nation Time"
  by Meta DuEwa Jones
• "Hunting is Not Those Heads": the Jones/Baraka Critic as Taxidermist
  by Joseph Heithaus
• Georgina Hickey. Hope and Danger in the New South City: Working-Class Women and Urban Development in Atlanta, 1890-1940
  by Molefi Kete Asante
• William Seraile. Bruce Grit: The Black Nationalist Writings of John Edward Bruce
  by John C. Gruesser
• Percival L. Everett. Erasure
  by Bernard W. Bell
• Baraka's bohemian blues
  by John Gennari
• LeRoi Jones/Amiri Baraka and the limits of open form
  by Ben Lee
• Theresa Leininger-Miller. New Negro Artists in Paris: African American Painters and Sculptors in the City of Light, 1922-1934
  by Amy Helene Kirschke
• Ula Yvette Taylor. The Veiled Garvey: The Life and Times of Amy Jacques Garvey
  by Tony Martin
• Philip Bryant. Sermon on a Perfect Spring Day
  by Anthony Butts
• "Pat your foot and turn the corner": Amiri Baraka, the Black Arts Movement, and the poetics of a popular avant-garde
  by James Smethurst
• Somebody blew off Baraka
  by William J. Harris
• Gerald R. Butters, Jr. Black Manhood on the Silent Screen
  by Shawn St. Jean
• Arnold Rampersad, ed. The Collected Works of Langston Hughes
  by Donald B. Gibson
• Houston A. Baker, Jr. Turning South Again: Re-Thinking Modernism/Re-Reading Booker T
• "Progressive lit.": Amiri Baraka, Bruce Andrews, and the politics of the lyric "I"
  by Joseph Lease
• The character of consciousness
  by Lorenzo Thomas
• The logic of retribution: Amiri Baraka's Dutchman
  by Nita N. Kumar
• Sometimes funny, but most times deadly serious: Amiri Baraka as political satirist
  by Jiton Sharmayne Davidson
• Paula J. Massood. Black City Cinema: African American Urban Experiences in Film
  by Lovalerie King
• Robert W. Croft. A Zora Neale Hurston Companion
  by Yuji Maekawa
• Arnold Rampersad, et al., eds. The Collected Works of Langston Hughes
• Whoosh!
  by Amiri Baraka
• Evolution or revolution in black theater: a look at the cultural nationalist agenda in select plays by Amiri Baraka
  by Sandra G. Shannon
• The paradox of experience: black art and black idiom in the work of Amiri Baraka
  by Patrick Roney
• Michael Syrotinksi. Singular Performances: Reinscribing the Subject in Francophone African Writing
  by Robert Samuels
• Frank Marshall Davis. Black Moods: Collected Poems
  by James A. Miller
• Other works received