Afterimage

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Articles in July-August 2005 issue of Afterimage

• The Stanford University libraries have acquired the archive of Lynn Hershman
• Artists' books as catalyst
  by Tony White
• Better Things
  by Sarah E. Webb
• CEPA Gallery at 30.
  by James Rajotte
• 2005 Ad
  by Bill Kouwenhoven
• The Deutsche Borse Photography Prize 2005 has been awarded to Luc Delahaye
• Life on the road: Art Sinsabaugh's Midwest Landscapes
  by Stephen Longmire
• Bettina Rheims: Female Trouble
  by James Rajotte
• En Foco celebrates 30th year
  by Ilana Swerdlin
• The London Photographic Awards'
• The Dia Art Foundation
• Drawn to Water
  by Christine Osinski
• David Hilliard: Photographs
  by Kirby Pilcher
• 100 SUNS and the nuclear sublime: an interview with Michael Light
  by Robert Hirsch
• Christopher Scoates has been appointed director of the University Art Museum at University of California Long Beach
• The 31st Annual Light Work Grants in Photography
• Dictionary Days: A Defining Passion
  by Amber Hares
• 1965 Ad
  by Weena Perry
• TASCHEN
• Buffalo artist Steve Kurtz
• Narrative remixed
  by Tracey Fugami
• Having Been Said: Writings and Interviews of Lawrence Weiner 1968-2003
  by Tate Shaw
• Soho Photo Gallery has announced the winners of its 10th annual National Photographic Competition
• Columbia University's National Arts Journalism Program
• Waiting in silence
  by Sarah Stanley
• The Nineteenth-Century Visual Culture Reader
  by Chris Burvett
• 26th annual George Wittenborn Memorial Book Award
• Kodak has announced plans to discontinue the production of black and white photographic paper
• "Anthony, come to dinner"
  by Emily Kuenstler
• TV Wonderland: The Enchantment of Early Television
  by Joanna Heatwole
• Aperture Foundation and Distributed Art Publishers
• Filmmaker Omer Kavur died at age 61
• The wall of Palestine
  by Bruno Chalifour
• Media received
• Deep Focus: a report on the future of independent media
  by Chris Burnett
• The Photographers' Gallery in London has appointed Mary Reynolds as Acting Director
• The impermanence of memory
  by Bill Kouwenhoven
• Who wears the pants?
  by Amanda Norenberg
• Notices
• The Photography Institute
• The Museum of Modern Art in New York City has appointed Peter Reed as Senior Deputy Director for Curatorial Affairs
• 2005 Ad
  by Maeve Connolly
• A Line of Sight: American Avant-Garde Film Since 1965
  by Jason Livingston
• Archaeological digging in the June gloom.; documentary movies
  by Roger Hallas