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Color at the center: Minnelli's Technicolor style in 'Meet Me in St. Louis.' - Style in Cinema - filmmaker Vincente Minnelli
Style, Fall, 1998 by Scott Higgins
Casper, Joseph Andrew. Vincente Minnelli and the Film Musical. South Brunswick: A. S. Barnes, 1977.
Clyne, Adrian Cornwell. Colour Cinematography. 3rd ed. London: Chapman and Hall, 1951.
Eisman, Leatrice, and Lawrence Herbert. The Pantone Book of Color. New York: Harry N. Abrams, 1990.
Fordin, Hugh. The World of Entertainment. New York: Doubleday, 1975.
Genne, Beth. "Vincente Minnelli's Style in Microcosm: The Establishing Sequence of Meet Me in St. Louis. "Art Journal 43 (Fall 1983): 247-54.
Harvey, Stephen.Directed by Vincente Minnelli. New York: Harper and Row, 1989.
Houghton, Norris. "The Designer Sets the Stage." Theatre Arts Monthly 20 (October 1936):776-88.
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Johnson, Albert. "The Films of Vincente Minnelli." Film Quarterly 12 (Winter 1958): 21-35.
"Just What is So Mysterious about Color."American Cinematographer 17.10 (October 1936):414, 424-26.
Kalmus, Herbert. Mr. Technicolor. Abescon, NJ: MagicImage Filmbooks, 1993.
Kalmus, Natalie. "Color Consciousness." Journal of the Society of Motion Picture Engineers 25 (August 1935): 135-47.
----."Colour." Behind the Screen: How Films are Made. Ed. Stephen Watts. London: Arthur Baker, 1938.116-27.
Kaufman, Gerald. Meet Me in St. Louis. London: BFI Publishing, 1994.
Knox, Donald. The Magic Factory. New York: Praeger, 1973.
Minnelli, Vincente. I Remember It Well. New York: Doubleday, 1974.
-----, dir. Meet Me in St. Louis. prod. Arthur Freed, Metro-Goldwyn-Mayer, 1944.
Naremore, James. The Films of Vincente Minnelli. Cambridge: Cambridge UP, 1993.
Neupert, Richard. "Technicolor and Hollywood: Exercising Color Restraint." Post Script 10 (Fall 1990): 21-29.
"Photography of the Month." Review of Aloma of the South Seas. American Cinematographer 22 (October 1941): 502.
-----. Review of Billy the Kid. American Cinematographer 22 (June 1941): 273.
-----. Review of Blood and Sand. American Cinematographer 22 (June 1941): 272.
-----. Review of Blossoms in the Dust. American Cinematographer 22 (July 1941): 326.
-----. Review of Jungle Book. American Cinematographer 23 (May 1942): 208.
-----. Review of Louisiana Purchase. American Cinematographer 23 (January 1942): 19.
Society of Motion Picture and Television Engineers. Elements of Color. Los Angeles: SMFTE, 1957.
"Through the Editor's Finder." American Cinematographer 22 (September 1941): 424.
Wannamaker, Mark. "Cinemasters: George Folsey, ASC."American Cinematographer 66 (July 1985): 40-48.
Scott Higgins (shiggins@students.wisc.edu) is a PhD candidate in the Department of Communication Arts at the University of Wisconsin-Madison. He is currently completing his dissertation, An Aesthetic History of Technicolor: 1934-1942.
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