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Film form: an argument for a functional theory of style in the individual film - Style in Cinema
Style, Fall, 1998 by Noel Carroll
6 This article is an application to film of the theory of artistic form advanced in the chapter on form in my Philosophy of Art: A Contemporary Introduction.
Works Cited
Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism. 1958, Indianapolis: Hackett, 1981.
Bellour, Raymond. "The Obvious and the Code."Screen 15.4 (Winter 1974/1975): 7-17.
-----. "To Analyze, To Segment." Quarterly Review of Film Studies 1.3 (August 1976): 331-53.
Bordwell, David. On the History of Film Style. 1998. Cambridge: Harvard UP.
Carroll, Noel. Philosophy of Art: A Contemporary Introduction. London: Routledge, 1999.
Lang, Berel, ed. The Concept of Style. 1979. Ithaca: Cornell UP. 1987.
Wollheim, Richard. "Pictorial Style: Two Views." Lang, 183-202.
Noel Carroll is the Monroe C. Beardsely Professor of the Philosophy of Art at the University of Wisconsin-Madison. He is also the President of the American Society for Aesthetics. His most recent book is A Philosophy of Mass Art (Oxford UP, 1998). His forthcoming book is Philosophy of Art: A Contemporary Introduction (Routledge, expected 1999).
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