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"They but reflect the things": style and rhetorical purpose in Melville's "The Piazza Tale"
Style, Spring, 2001 by Scott A. Kemp
Moore, Maxine. That Lonely Game. Missouri: U of Missouri P, 1975.
Parker, Hershel. Melville: A Biography. Baltimore: John Hopkins UP, 1996.
Poenicke, Klaus. "A View from the Piazza: Herman Melville and the Legacy of the European Sublime." Comparative Literary Studies 4 (1967): 267-81.
Radloff, Bernard. Cosmopolis and Truth. Melville's Critique of Modernity. Studies in Themes and Mot ifs in Literature. Vol. 16. Ed. Horst S. Daemmrich. New York: Peter Lang, 1996.
Seelye, John. The Ironic Diagram. Evanston: Northwestern UP, 1970.
Slater, Judith. "The Domestic Adventurer in Melville's Tales." American Literature 37 (1965): 267-79.
Stein, William. "Melville's Comedy of Faith." ELH 27 (1960): 315-33.
Stern, Milton. The Fine Hammered Steel of Herman Melville. Urbana: U of Illinois P, 1957.
Trimpi, Helen P. Melville's Confidence Men and American Politics in the 1850s. Hamden: Archon Books, 1987.
Webster's New World Dictionary. Ed. Victoria Neufeldt and David Guralnik. New York: Webster's, 1988
Wenke, John. Melville's Muse: Literary Creation & the Forms of Philosophical Fiction. Kent: Kent State UP, 1995.
Scott A. Kemp (skemp@internationalcollege.edu) is an assistant professor of English specializing in pre-1865 American literature and rhetoric at International College. He recently completed his dissertation, "Melville's Critique of America: Rhetorical Strategies in the Piazza Tales and Israel Potter," and has received his Ph.D. in literary studies from the University of Denver. The current article, "'They But Reflect the Things': Rhetorical Strategies in 'The Piazza Tale,' is taken from a chapter in his dissertation.
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