Art in America
View more issues: August 2004, Sept 2004, Nov 2004
Articles in Oct 2004 issue of Art in America
- NY galleries
- Jean Shin at Frederieke Taylor
by Susan Harris - Four Americans at Marlborough Chelsea
by Edward Leffingwell - Harry N. Abrams, Inc
- Jasper Johns at the Cleveland Museum of Art
by Joe Fyfe - Thorsten Kirchhoff at V.M.21
by Marcia E. Vetrocq - Emily Hall Tremaine Foundation
- Pollock-Krasner grants for 2003-04
- The real McCoy
by Archie Rand - Robert Beauchamp at David Findlay Jr
by Jonathan Gilmore - Alexis Smith at Artemis Greenber Van Doren
by Edward Leffingwell - MacDowell Colony
- Alexander Liberman at Ameringer & Yohe
by Jonathan Gilmore - Kerry James Marshall at the Museum of Contemporary Art
by Susan Snodgrass - Alex Hanimann and Marlene McCarty at the Kunsthalle
by Mark Staff Brandl - The Thyssen-Bornemisza Museum in Madrid recently unveiled its new $46-million expansion
- Latin American modern: an ambitious exhibition at the Museum of Fine Arts examined major themes in Latin America's midcentury avant-garde
by Edward Leffingwell - Willie Doherty at Alexander and Bonin
by Edward Leffingwell - Hilary Harkness at Mary Boone
by Sarah Valdez - Moore College of Art & Design
- Political art in election season
by Cathy Lebowitz - Rachel Howard at the Bohen Foundation
by Joe Fyfe - Robert Chambers at Laumeier Sculpture Park
by David Bonetti - Obituaries
- A war and its images: as photographs and films dealing with the Iraq War become the subject of partisan debate, the author considers their ethical and historical context
by Eleanor Heartney - The Orange County Museum of Art recently inaugurated a new media space in Costa Mesa, Calif
- Farber on Farber: in his more than 50 years as a film critic and painter, Manny Farber has brought an essentially autobiographical sensibility to bear on a wide range of visual idioms, from process-driven abstractions to rebuslike figurative studies. Here
by Leah Ollman - Santu Mofokeng at David Krut Projects
by Edward Leffingwell - Laurie Simmons at Sperone Westwater
by Edward Leffingwell - Rhode Island School of Design
- Crisis at the U.S. pavilion
by Marcia E. Vetrocq - Venice Biennale makeover
by Marcia E. Vetrocq - Harriet Korman at Lennon, Weinberg
by Faye Hirsch - Jack Mims at McKinney Avenue Contemporary
by Charles Dee Mitchell - Henri Cartier-Bresson, 1908-2004
by David Ebony - Graphic art in the summer of discontent: the 2004 election has attracted artists in numbers not seen for a generation. Their designs give progressive politics a distinct visibility
by Faye Hirsch - No happy ending for California Arts
- A flatland of forms: Thomas Nozkowski's abstract paintings have long been characterized by their small scale and use of eccentric shapes against variegated grounds. His work was recently the subject of a trio of shows in the U.S. and Britain
by Cary Levine - Martin Kline at Jason McCoy
by Edward Leffingwell - Mia Enell at Luxe
by Michael Amy - Center for Curatorial Studies at Bard College
- Four finalists picked for High Line
by David Ebony - Luis Gonzalez Palma at Lisa Sette
by Rebecca Dimling Cochran - Philip Kwame Apagya at Jack Shainman
by Charles Dee Mitchell - Dan Collins at the Tucson Museum of Art
by Deborah Sussman Susser - Art show at old TWA terminal
- The luminous continent: the revelatory power of images—whether from high-art sources or elsewhere—marked the most recent biennial of African photography in Bamako
by Richard Vine - Still cache goes to Denver
- Artschwager pinxit: though inspired by photographs and rendered on commercial construction board, Richard Artschwager's paintings reflect an acute awareness of art history. A survey honoring the artist on his 80th birthday sampled the conceptual and techn
by Roni Feinstein - Haim Steinbach at Sonnabend
by Edward Leffingwell - Sabine Friesicke at Robert Steele
by Michael Amy - American Federation of Arts
- Art research: a digital future?
by Stephanie Cash - Andrea Robbins and Max Becher at Sonnabend
by Eva Diaz - Spandau Parks at Anna Helwing
by Constance Mallinson - Stedelijk Museum in Amsterdam
- Northern lights: in installations that variously involve light, color, geometry movement and more, Olafur Eliasson nudges the participant-viewer into an ambient perceptual awareness
by Carol Diehl - Munch's Madonna and Scream stolen
- Moving pictures: structurally complex and narratively engaging, Jon Kessler's new multimedia sculptures often deliver an emotional punch beyond their humble means
by Stephanie Cash - Michal Rovner at Pace Wildenstein
by Matthew Guy Nichols - Patricia Cronin at the University at Buffalo Art Gallery
by Faye Hirsch - Richter gift to Dresden
- Maria Nordman at Christine Burgin
by Edward Leffingwell - Inez Storer at the De Saisset Museum
by Mark Van Proyen - Addison Gallery of American Art
- Erro's history: New York audiences had three opportunities to encounter the vivid and sometimes bitingly political work of Erro, the Icelandic artist who maintained a love-hate relationship with U.S. culture
by Tom McDonough - Death sentence for Chinese curator
- Akron Museum expansion on track
- Erick Swenson at James Cohan
by Edward Leffingwell - Jack Risley at Postmasters
by Nancy Princethal - Art schools directory
- Tim Prentice at Maxwell Davidson
by Michael Amy - Juan Granados at Bryan Ohno
by Matthew Kangas - Victoria & Albert Museum
- Flirtations with evidence: the factual and the spurious consort in the works of The Atlas Group/Walid Raad. Using the conventions of information-based art, Raad questions the reliability of documentation in general. His projects, which take as their theme
by Janet A. Kaplan - Creative Time's free speech zone
by David Ebony - Leon Golub
by Raphael Rubinstein - Jan Mancuska at Andrew Kreps
by Sarah Schmerler - John Duff at Knoedler
by Nathan Kernan - Art services directory