Art in America
View more issues: Feb 2006, March 2006, May 2006
Articles in April 2006 issue of Art in America
- Kirsten Everberg at 1301PE
by Jori Finkel - The lost art of Iraq
by David Ebony - A-Z and everything in between: Andrea Zittel has sought to redesign art and life in her experimental works, including handmade clothing, architectural "living units," breeding projects and recycling systems. A traveling survey provides a coheren
by Stephanie Cash - Helen Miranda Wilson at DC Moore
by Jonathan Gilmore - Anthony Dubovsky at Cue Art Foundation
by Nathan Kernan - Billie Grace Lynn at the Lowe Art Museum
by Roni Feinstein - Hayward Gallery
- Artists picked for SITE Santa Fe
- Gabriel Orozco is the winner of the second blueOrange award, worth approximately $92,500
- Kuh's coups
by Nathan Kernan - The music of chance: Larry Poons's physically lush, structurally complex and chromatically seductive new work, seen in two recent New York gallery exhibitions, sums up his evolution since the "dot" and "lozenge" paintings of the 1960s
by Karen Wilkin - Gordon Moore at Betty Cuningham
by Susan Harris - Robert Berlind at Tibor de Nagy
by Hearne Pardee - Beverly Fishman at Skestos Gabriele
by Victor M. Cassidy - Camerawork
- Judds for sale
- Wrapped in the State: an exhibition of World War II-era clothing with propagandistic themes illustrates the personal dimensions of home front mobilization
by Faye Hirsch - Attack of the Cephalopods: hallucinatory battles between monstrous octopi and whirring helicopters fill Steve DiBenedetto's intensely worked paintings and drawings
by Matthew Guy Nichols - Roy DeForest at George Adams
by Stephen Maine - Mark Bradford at Sikkema Jenkins
by Donald Lindeman - Ron Laboray at Gallery 210 at the University of Missouri
by Mel Watkin - Vassar College's Frances Lehman Loeb Art Center
- The Skowhegan School of Painting and Sculpture recently announced the winners of its 2006 awards
- Bling and beyond: the 35 artists in "Frequency," the Studio Museum in Harlem's recent survey of emerging African-American talent, revealed a shared interest in manipulating cultural idioms to express new—often "post-black"—re
by Sarah Valdez - The last flaneur
by Raphael Rubinstein - Mel Leipzig at Gallery Henoch
by Edward Leffingwell - Davis Cone at Forum
by Edward Leffingwell - Tom Joyce at Evo
by Arden Reed - Kobena Mercer, Linda Nochlin and Calvin Tompkins are the first recipients of the Clark Prize for Excellence in Arts Writing
- Getty trust head abruptly departs
- Lichtenstein's Indian territory: linking two bodies of painting based on Native-American subjects and motifs, and supplementing them with historical objects, a traveling exhibition explores a little-known aspect of Roy Lichtenstein's career
by Richard Kalina - Hot pots and potshots
by Lee Rosenbaum - Vicken Parsons at Christine Konig
by Jane Neal - Spurling's Matisse commended
by Catherine C. Bock-Weiss - Flowers of friendship: a legendary beat-era artist's publication is the focus of a traveling exhibition titled "Semina Culture: Wallace Berman & His Circle."
by Leah Ollman - Easel pleasures: featuring a formally diverse assortment of paintings by the welsh artist and critic Merlin James, a recent exhibition highlighted the modernist-inspired versatility of his 20-year careen
by Faye Hirsch - Paula Scher at Maya Stendhal
by David Coggins - Carolina Raquel Antich at Florence Lynch
by Edward Leffingwell - Bailey Doogan at the Tucson Museum of Art and Etherton
by Deborah Sussman Susser - The Guggenheim Museum in New York recently announced the shortlist for the 2006 Hugo Boss Prize
- Shelburne [Vt.] Museum
- Gary Petersen at Michael Steinberg
by Stephen Maine - Barbara Rubin remembered
by Philip Zuchman - Color pioneer: nearly three decades before MOMA conferred institutional legitimacy on color photography in the fine arts, Saul Leiter was shooting distinctly painterly, subtly modulated Kodachrome slides
by Stephen Maine - Magdalena Abakanowicz at Marlborough
by David Ebony - Lari Pittman at Barbara Gladstone
by Stephen Maine - Stephen Bush at Goff + Rosenthal
by Jonathan Goodman - Kaz Oshiro at Rosamund Felsen
by Frances Colpitt - Obituaries
- Jim Klein at Whirlwind
by Michael Amy - Gardner theft explored in film
by Stephanie Cash - NY galleries
- Young Sun Lim at Stux
by Michael Amy - Laurence Hegarty at Cynthia Broan
by Saul Ostrow - Yun Gee at Marlborough
by Jonathan Gilmore - Carlos Villa at SFMOMA Artists Gallery
by Peter Selz - Farnsworth Art Museum
- Big Bucks for Met Photos
- San Francisco Museum of Modern Art
- James Kelly at Katharina Rich Perlow
by Faye Hirsch - Rio art heist at Carnival
- On the waterfront: the second Yokohama Triennale, set in warehouses in an active port zone, had a subtext of international movement
by Janet Koplos - Steve Currie at Elizabeth Harris
by Saul Ostrow - Raoef Mamedov at Silverstein Photography
by Edward Leffingwell - Nicolas Carone at Lohin Geduld
by Stephen Maine - Lead Pencil Studio at the Henry Art Gallery
by Jen Graves - Arts in Hong Kong: on and off
- ArtTable
- Gwen Hardie at Dinter
by Michael Amy - Art Dealers host splashy "Art Show"
by David Ebony - George Brecht, the philosopher of Fluxus: a master of self-effacement who has spent the past three decades in "accelerated creative inactivity," George Brecht, one of the core members of the Fluxus group, is reintroduced to a wide public in a co
by Jill Johnston - Stanley Brouwn at Yvon Lambert
by Susan Harris - Lynn Hershman Leeson at Bitforms
by Edward Leffingwell - Stella Waitzkin at Robert Steele and the Chelsea Hotel
by Edward Leffingwell - Richard Long at Haunch of Venison
by David Coggins - New director for L.A. county
- Jon Imber at Nielsen
by Carl Little - Nam June Paik, 1932-2006
by John Hanhardt - James Siena's linear cosmos: in paintings, gouaches and drawings that make the most of line while remaining resolutely abstract, James Siena creates a near mystical sense of progression and abundance, even at the small scale in which he usually chooses to
by Stephen Westfall - David Hammons at Triple Candle
by Nancy Princenthal