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Ars combinatoria: mystical systems, procedural art, and the computer
Art Journal, Fall, 1997 by Janet Zweig
35. Kaplan, Sefer Yetzirah, 44.
36. Raymond Queneau, Cent mille milliards de poemes (Paris: Librairie Gallimard. 1961).
37. Marjorie Perloff, Radical Artifice: Writing Poetry in the Age of Media (Chicago: University of Chicago Press, 1991), 139.
38. Internet addresses: (http://www.panix.com/~todonnel/rqueneau.shtml); (http://www.calvacom.fr/calvaweb/Malamoud/): (http://berlin.icf.de/~inscape/queneau_poems/queneau_poemes.html)
39. Wolf Vostell and Dick Higgins, Fantastic Architecture (n.p.: Something Else Press, 1969). unpag.
40. Hartman, Virtual Muse, 54-64.
41. Ibid., 5.
42. "New Media Poetry," Visible Language (RISD), guest ed. Eduardo Kac, 30, no. 2 (1996), 134-37.
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43. Paul Delaney and George P. Landow, eds., Hypermedia and Literary Studies (Cambridge, Mass.: MIT Press, 1991).
44. John Gribben, In the Beginning: The Birth of the Living Universe (Boston: Little, Brown and Co., 1993), 57-58.
45. Quoted in Rucker, Infinity and the Mind, 206.
46. Gribben, In the Beginning, 12.
47. Alan Lightman, Ancient Light: Our Changing View of the Universe (Cambridge, Mass.: Harvard University Press, 1991), 158.
JANET ZWEIG is an artist who lives in Brooklyn, New York. She teaches at Yale University.
COPYRIGHT 1997 College Art Association
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