Venice's Mediterranean Colonies: Architecture and Urbanism & Venice and the East: The Impact of the Islamic World on Venetian Architecture 1100-1500 & Global Interests: Renaissance Art between East and West

Notes

(1.) An example of this old-fashioned scholarship is Goran Hermeren, Influence in Art and Literature (Princeton: Princeton University Press, 1975).

(2.) Oleg Grabar, Trade with the East and the Influence of Islamic Art," in Il Medio Oriente e l'Occidente nell'arte del XIII secolo, ed. Hans Belting, Atti del XXIV Congresso Internazionale di Storia dell'Arte (Bologna: CLUEB, 1982), with some very preliminary thoughts on the subject.

(3.) Selman Kangel, ed., The Sultan's Portrait: Picturing the House of Osman (Istanbul: Isbank, 2000).

(4.) Hayat Salam-Liebich, The Architecture of the Mamluk City of Tripoli (Cambridge. Mass.: Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, 1983), 223-25; and Michael Meinecke, Die mamlukische Architektur in Agyplen und Syrien (Gluckstadt: J.J. Augustin, 1992), vol. 1, 35ff. and 42-44.

OLEG GRABAR is the Aga Khan Professor of Islamic Art emeritus at Harvard University and professor emeritus in the School of Historical Studies at the Institute for Advanced Study, Princeton. His most recent book (with Richard Ettinghausen and Lynn Jenkins-Madina) is the Pelican volume Islamic Art and Architecture 660-1250 [Institute for Advanced Study, Princeton, N.J 08540].

COPYRIGHT 2003 College Art Association
COPYRIGHT 2008 Gale, Cengage Learning