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Ted Hughes and Schopenhauer: the poetry of the will
Twentieth Century Literature, Spring, 1999 by Dwight Eddins
shadow of Schopenhauer, who sought along some of the same paths for means of negating the will's relentless pressures. In the last analysis, it is hard to locate a point in Hughes's development where his profound affinity with Schopenhauer is not evident, and where it does not illuminate a poetry that explores more intrepidly than any other the nightmare of ravening cosmic energies - what Hughes in the poem "Pike" calls "the dream / Darkness beneath night's darkness had freed, / That rose slowly towards me, watching."
NOTES
1 On Hardy's and Lawrence's links with Schopenhauer, see, respectively, Seymour-Smith (329-31) and Montgomery (43-72).
2 Keith Sagar mentions Schopenhauer as one of those we may wish to study in the quest to "seek out new coordinates" for reading Hughes ("Introduction" xiv-xv).
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