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Mira Schendel, Sergio Camargo, and Willys de Castro - Brief Article
ArtForum, Jan, 2000 by Monica Amor
CENTRO CULTURAL BANCO DO BRASIL
Curated by art historian and critic Ronaldo Brito, this monumental exhibition traces the formal affinities among and strategies of Brazilian artists Mira Schendel, Sergio Camargo, and Willys de Castro over a nearly thirty-year period. Although, among the three, Castro was the sole member of the Neo-concrete movement, they all forged intimate links with its theoretical and formal tenets, which are reflected in their shared concerns: phenomenology, the complexities of linear and geometric structure, and the incorporation of time in the apprehension of the work. A catalogue with essays by Brito, Joao Massao, Cristina Bach, and Roberto Concheru is planned. Mar. 15-May 21.
COPYRIGHT 2000 Artforum International Magazine, Inc.
COPYRIGHT 2000 Gale Group
