MELUS

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Articles in Fall 1995 issue of MELUS

• Zangwill's 'The Melting Pot' plays Chicago
  by Guy Szuberla
• A Grand Army of Black Men: Letters from African American Soldiers in the Union Army, 1861-65
  by Charles Moran
• Surviving what haunts you: the art of invisibility in 'Ceremony,' 'The Ghost Writer,' and 'Beloved.'
  by Naomi R. Rand
• Radical Representations: Politics and Form in U.S. Proletarian Fiction, 1929-1941
  by Anthony Dawahare
• The Shoah goes on and on: remembrance and representation in Art Spiegelman's 'Maus.'
  by Michael E. Staub
• Was Huck Black? Mark Twain and African American Voices
  by Randall Knoper
• Gender, myth, and memory, ethnic continuity in Greek-American narrative
  by Katherine Zepantis Keller
• The Columbia History of American Poetry
  by Andrew C. Higgins
• Reading Desi Arnaz in 'The Mambo Kings Play Songs of Love.'
  by Paula W. Shirley
• Raven's Cry
  by Loren F. McKeown
• Disruptive memories: Cynthia Ozick, assimilation, and the invented past
  by Peter Kerry Powers
• Among the Dog Eaters
  by Martin Espada
• Memory and identity for Black, White, and Jew in Paule Marshall's 'The Chosen Place, The Timeless People.'
  by Adam Meyer
• Touching Liberty: Abolition. Feminism. and the Politics of the Body
  by Kim Jenice Dillon
• The prismatic past in 'Oral History' and 'Mama Day.'
  by Paula Gallant Eckard
• American Indian Autobiography
  by Pauline G. Woodward
• Chester Himes: An Annotated Primary and Secondary Bibliography
  by Gary Storhoff
• The Sleeper Wakes: Harlem Renaissance Stories by Women
  by Rosemary Keefe Curb