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FindArticles > News > Technology

Smartphone Excels at Fireworks Without Mirrorless

Gregory Zuckerman
Last updated: November 6, 2025 3:14 pm
By Gregory Zuckerman
Technology
7 Min Read
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I forgot my mirrorless camera at home for a fireworks show and never missed it. With two overstimulated toddlers in tow and a cold, crowded park to negotiate, the phone that I had tucked in my pocket won out as it was faster, lighter — and most importantly — good enough to snap the spectacle without any fuss.

Why Convenience Won on the Night With a Smartphone

When it comes to photographing fireworks, they are a time-honored test of patience and preparation, often requiring a tripod, manual exposure and precise timing. This time I used a dedicated Fireworks mode available on many modern phones, which combines short and long exposures to retain trails, temper highlights and keep colors punchy. With small hands to hold and glow sticks to untangle, automation wasn’t a sacrifice — it was freedom.

Table of Contents
  • Why Convenience Won on the Night With a Smartphone
  • How the Shots Compared in Real Life at the Event
  • The Tech Doing the Heavy Lifting Behind Fireworks Photos
  • The Tradeoffs I Accepted by Leaving the Camera at Home
  • Practical Tips If You Skipped the Camera Bag
  • The Bigger Picture on Smartphone Versus Mirrorless
A large bonfire made of wooden pallets burning brightly against a dark night sky.

That instant readiness matters. According to Ofcom, 93% of UK adults now own a smartphone, and when you’re working in close proximity with live audiences who flash out of darkness into light for brief moments, the camera that fires up quickly and focuses promptly is the one that gets the shot. No swapping lenses. No metering tests. Just aim, tap, and move on.

How the Shots Compared in Real Life at the Event

What impressed me the most was consistency at different focal lengths. The main wide camera performed pretty much as expected in low light, but even the 3x and 5–6x zoom modules showed similar color and exposure, with fewer out-of-focus shots than I’ve gotten from a great many compact setups at night. There were some highlights in the bursts that sat neatly below clipping, and the black sky remained sufficiently black rather than a muddy gray.

Were the images perfect? Not quite. The trails of the fireworks showed a little motion blur if I panned too zealously and, when the bonfire’s blaze was steadier, I saw some lens flare. But the files were clean enough to share immediately with no color correcting, a far cry from how I usually spend an hour in Lightroom balancing shadows, white balance and micro-contrast for a mirrorless RAW set.

The Tech Doing the Heavy Lifting Behind Fireworks Photos

Modern phones rely on multi-frame capture, aligning dozens of exposures with the aid of gyro data and optical stabilization and then fusing them through selective denoising and tone mapping. It’s the same principle behind Night modes and astrophotography features from companies like Google and Apple, but it has been turned into a tool for short, high-contrast lighting events. The result: more freedom than a single long exposure without the burden of a tripod.

Advances in sensors and optics come into play as well. Now, some big 50MP 1/1.3–1/1.4-inch sensors sit behind fast lenses and tele modules have gotten good enough that mid-zoom shots don’t crumple into particles as soon as you press the shutter. Independent testing groups like DXOMARK have charted a consistent improvement in low-light performance over the past several hardware generations, and it shows when you’re trying not only to compose but to wrangle child care.

A close-up, professional shot of the back of a silver smartphone, featuring a prominent circular camera module with four lenses and an H logo in the center, set against a subtle, light gray patterned background.

The Tradeoffs I Accepted by Leaving the Camera at Home

Mirrorless still beats everything for absolute sharpness, flare control and flexible RAW headroom. Had I grounded us with a tripod and carefully set a tight manual focus at infinity, with a 2–4 second exposure at ISO 100, we might have cleaner trails and better gradients. But that takes time, space and a degree of control that just didn’t suit the evening.

What the phone gave me was certainty. No tap-dancing around menus in the dark. Never a missed moment changing focus. The computational processing soaked up the variables so I could continue to be present. For this application, the cost of pixel-wise accuracy seemed like a reasonable exchange.

Practical Tips If You Skipped the Camera Bag

  • Get there early and settle windward so that smoke doesn’t blow across the frame.
  • Fall back on the standard wide camera for stability, and try the first optical zoom step if you want tighter bursts — don’t move deeper into digital zoom.
  • If your phone allows it, lock focus and exposure, and brace yourself against a railing or tree for steadier shots.
  • Turn off harsh HDR filters that gray out the night sky; shoot a short burst as the shell breaks to get full trails.
  • If your device has a Fireworks or Long Exposure mode, give it a go; for manual settings, set the shutter for 1–2 seconds and the lowest ISO that maintains color.
  • Make quick edits afterward — a touch of contrast and a bit of dehaze can make a big difference.

The Bigger Picture on Smartphone Versus Mirrorless

Industry data helps clarify why this felt so easy. Even the camera industry’s own trade association, CIPA, has noted a long-term decline in dedicated-camera shipments from their early-2010s peaks as smartphones continue to devour casual photography. On services such as Flickr, phones are always head and shoulders above traditional cameras on the list of most frequent picture-taking devices, which is more telling about everyday contributions to pictures posted on a site.

That doesn’t devalue mirrorless systems; it recontextualizes them. I’ll still throw my kit on my back to make portraits, travel projects and for those quiet evenings when I am able to pursue perfection. But with a jubilant crowd, a pram, and an ever-shifting sky that resculpts itself every second, leaving the mirrorless at home not only seemed sensible but rather right.

Ultimately, the photos say it all: lively, balanced and executed without missing a beat. Convenience didn’t just triumph; it made the evening safer, more convenient and fun. I didn’t regret the decision for a second, and I would gladly do it again.

Gregory Zuckerman
ByGregory Zuckerman
Gregory Zuckerman is a veteran investigative journalist and financial writer with decades of experience covering global markets, investment strategies, and the business personalities shaping them. His writing blends deep reporting with narrative storytelling to uncover the hidden forces behind financial trends and innovations. Over the years, Gregory’s work has earned industry recognition for bringing clarity to complex financial topics, and he continues to focus on long-form journalism that explores hedge funds, private equity, and high-stakes investing.
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