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FindArticles > News > Entertainment

Jimmy Kimmel Live! Reverts to Sinclair and Nexstar ABC

Richard Lawson
Last updated: October 29, 2025 10:09 am
By Richard Lawson
Entertainment
6 Min Read
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Jimmy Kimmel Live! is coming back to the late-night roster on ABC affiliates owned by Sinclair Broadcast Group and Nexstar Media Group, in a rare, closely watched preemption that has temporarily cut off the show from a significant chunk of its network’s footprint. The change in position comes after discussions with Disney and a wave of viewer and advertiser feedback that drove up pressure on the station groups to return carriage.

Why the Preemption Ended at Sinclair and Nexstar Stations

Both Sinclair and Nexstar said they were driven by standards considerations and community sensibilities, not government pressure. Sinclair cited heavy input from viewers, advertisers and local officials as the reason why responsible broadcasting and civil discourse should matter, also noting the current safety considerations after a shooting at an ABC affiliate in Sacramento. The company also said it had suggested measures to strengthen accountability and feedback, among other initiatives such as considering a network-wide independent ombudsman.

Table of Contents
  • Why the Preemption Ended at Sinclair and Nexstar Stations
  • How Many Viewers Were Impacted by the Blackout Decision
  • What the Reinstatement Means for ABC Late Night
  • Free Speech, Localism and Accountability
  • What to Watch Next as Stations Restore Jimmy Kimmel Live!
A promotional image for Jimmy Kimmel Live! featuring Jimmy Kimmel embracing Guillermo Rodriguez, resized to a 1 6: 9 aspect ratio.

Nexstar has reported engaging in constructive discussions with Disney executives and reinforcing its previously stated commitment to working with partners in compliance with the First Amendment and local community standards. The broadcaster also sought to draw a distinction between local stations using public airwaves and national or streaming distributors, casting the episode as a test of editorial judgment in a fragmented media environment.

How Many Viewers Were Impacted by the Blackout Decision

The move had actual reach implications. An estimated 20 million households were affected by the blackout, according to a statement from Nexstar, which owns nearly half of the ABC affiliates that Sinclair and Nexstar announced last year they would be acquiring. Though fans could still grab clips from official digital channels, the disappearance from linear TV disrupted the show’s habitual viewing pattern — a bedrock of late-night, where habit and lead-ins from local news dictate audience flow.

Nielsen has reported that time-shifted and digital viewing’s portion of late-night consumption continues to increase, but linear carriage remains the basis for ad revenue and discovery. Even a brief disruption can wreak havoc on an advertiser’s reach and frequency goals, push makegoods into more crowded inventory and make it agonizing to execute market-level buys that coordinate with local newscasts.

What the Reinstatement Means for ABC Late Night

With Sinclair and Nexstar bringing the show back, ABC’s late-night lineup is once again set in all of those markets. That lead-in steadies national campaigns that are anchored to the show and brings back the standard handoff from late local news into Jimmy Kimmel Live!, a tested ratings corridor for numerous affiliates. Continuity is particularly valued among buyers these days given the busy fall advertising window, when scatter inventory is sparse and programmers lean on franchise titles to maintain viewership share.

A professional shot of Jimmy Kimmel sitting at his desk on a late -night show set, with a city skyline and starry night background.

The episode is also, of course, a reminder of the network–affiliate bargain. Contracts allow local stations flexibility to preempt content, but extended disruptions can strain relationships and befuddle audiences. Industry analysts at companies like MoffettNathanson and S&P Global have long held that stable distribution — as in traditional, linear TV’s persistent advantage over streaming — is one of the last advantages keeping linear TV durable. And in that, fast resolution minimizes the chances of the erosion of potential audiences and brand damage on all fronts.

Free Speech, Localism and Accountability

At the center of the fight is a familiar tension: how to balance free expression with local mores on federally licensed airwaves. Each station group emphasized its editorial independence and commitments to its community. If Sinclair were to do a version of the idea and then follow through — which seems very, very unlikely — it would be a rare step for broadcast accountability that’s more typically found in public media and major newspapers than in commercial TV.

For Disney and ABC, the episode reaffirms the need for quick dialogue with affiliates when content spurs political or cultural pushback. For station owners, it illustrates the tightrope between reflecting local sensibilities and preserving the value of national programming that brings in consistent audiences and advertiser demand.

What to Watch Next as Stations Restore Jimmy Kimmel Live!

Jimmy Kimmel Live! fans should watch the show back where it belongs across Sinclair and Nexstar’s ABC stations, with digital clips and delayed viewing only expanding its reach. Within the industry, keep an eye on whether any of the proposed feedback mechanisms — an ombudsman or stronger viewer input channels, for instance — come to be and if station groups and networks write faster escalation pathways for content disputes into their books.

The rapid rebound underscores a truth that it never hurts to have underlined in late-night television: consistency matters. Now that carriage is restored, ABC and its affiliates — not to mention advertisers — can return to the daily business of competing for attention on air, online and everywhere else viewers are watching.

Richard Lawson
ByRichard Lawson
Richard Lawson is a culture critic and essayist known for his writing on film, media, and contemporary society. Over the past decade, his work has explored the evolving dynamics of Hollywood, celebrity, and pop culture through sharp commentary and in-depth reviews. Richard’s writing combines personal insight with a broad cultural lens, and he continues to cover the entertainment landscape with a focus on film, identity, and narrative storytelling. He lives and writes in New York.
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