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FindArticles > News > Entertainment

Chilling Voicemail For Pluribus Phone Number

Richard Lawson
Last updated: November 7, 2025 9:03 am
By Richard Lawson
Entertainment
6 Min Read
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If you saw the Washington, DC area code that appeared on the phone screen in Episode 1 of Pluribus and wondered what happens if you dial it… well, here’s a very human programming update.

The number that is used on the show, (202) 808-3981, is indeed a real phone number, and yes, it does actually answer — with an experience designed to weave fiction and your phone together.

Table of Contents
  • What You Get When You Call The Pluribus Number
  • Why The Pluribus Phone Number Matters To The Story
  • A Familiar Playbook For TV Easter Eggs And Hotlines
  • Is It Safe And What Data Do You Share By Calling
  • How The Gimmick Serves The Show’s Immersion
  • Bottom Line For The Curious Caller About Pluribus
A 16:9 aspect ratio image of the PLUR1BUS poster, featuring a woman with blonde hair and an open mouth, looking upwards, against a bright yellow background. The Apple TV+ logo and text FROM THE CREATOR OF BREAKING BAD are at the top.

What You Get When You Call The Pluribus Number

Dialing the number does not release a mind-melding happiness contagion. Instead, you’re greeted with a voicemail that speaks directly to “Carol” — the show’s isolated holdout, who is promised disturbingly cheery comfort and inclusion. The voice channels the series’ very premise without telling too much, a tidy, in-world extension of the episode’s White House press room spectacle.

And then the system asks you to press 0. When you finally do, the call disconnects and a text comes in soon after with an empowering message about Carol’s independence and sense of agency. A follow-up prompt becomes a subscription to receive promotional content from Apple TV, taking a diegetic touchpoint and turning it on its ear into an upright contemporary sign-up flow.

Why The Pluribus Phone Number Matters To The Story

Pluribus begins with a worldwide plague of unshakeable bliss that unites almost everyone in a collective mind. Only 12 people are immune — Carol Sturka is portrayed with rough urgency by Rhea Seehorn. The number appears in an in-universe broadcast starring Undersecretary of Agriculture Davis Taffler, a handy spokesperson for the hive mind by virtue of his proximity to power and cameras — but a plausible carrier for a DC phone line (complete with 202 area code).

By putting the number into reach in the actual world, the show reproduces for viewers its core tension: a collective chorus of voices seeking to connect with anyone who hasn’t yet been reached. It’s anything the series can be, expressed in the 30-second transmedia moment.

A Familiar Playbook For TV Easter Eggs And Hotlines

The idea of a working, diegetic phone number is an old one, and for good reason. Vince Gilligan’s old series have flirted with it — Saul Goodman’s ads at one time routed inquisitive callers to in-character voicemails — and genre shows from Westworld to Mr. Robot constructed complex hotlines as pieces of puzzles swallowed whole by larger ARG-style campaigns.

Behind the scenes, studios will often point these numbers to a cloud telephony service that can play custom recordings, capture keypad input and trigger SMS. It’s low-lift infrastructure for high-engagement, and it fits easily into larger marketing funnels without shattering the show’s illusion.

A screenshot of a text message conversation with a contact named PLURIBUS at 3:00 PM. The messages read: We feel like were doing all the talking here, Carol. Do you have any questions for us?, Yes, Who are you?, and We want so much to please your Carol, but. We cant answer questions like that. Below the last message, there are options to Hide transcript and a play button for an audio message. At the bottom, it shows PLURIBUS with an option to View contact.

Is It Safe And What Data Do You Share By Calling

As a user, if I call it and press 0 — that action will trigger a one-time text message right on my phone with an invitation to opt in for further updates. I should probably note that regular messaging rules apply: you can break off the exchange at any point, and nothing in the way of malware or mysterious charges will accompany the call. You opt in, and then your number becomes part of promotional outreach, as occurs in any entertainment SMS program.

Industry researchers including Nielsen and Deloitte have found that second-screen behavior is now the norm, with many viewers turning to their phones during prime-time premiere broadcasts. The responsive phone number activates that instinct by design, transforming curiosity into quantifiable engagement while keeping the reader in the world of the story.

How The Gimmick Serves The Show’s Immersion

Pluribus fundamentally relies on connection — whether voluntary or not. The voicemail’s subtle manipulation reflects the persuasion of the hive mind in the episode, and the text message about personal agency is a reflection of Carol’s struggle to maintain herself. It is clever: immersion without spoilers, and a nudge rather than coercion.

Small touches add verisimilitude. The Washington, DC area code places the number in the exact federal yard setting we’re looking at. The short call flow maintains the moment’s eeriness and lack of gimmick. And the opt-in bridge to marketing is that it respects the fiction while doing the real work of audience list building.

Bottom Line For The Curious Caller About Pluribus

If you do call the Pluribus number, be prepared for an in-character voicemail, a prompt to press 0 and follow-up text that emphasizes the show’s theme of choice versus conformity — as well as an optional sign-up for future updates. It’s a clever, low-key suiting of the ARG without requiring anyone to solve mincemeat through a hedge maze.

Whether you accept the invitation or hang up without a word, it’s just one more example of how well that premiere-shaped message does what this show does so well at its best: make the idea of being part of a connected world feel both comforting and chilling, all there on your lock screen.

Richard Lawson
ByRichard Lawson
Richard Lawson is a culture critic and essayist known for his writing on film, media, and contemporary society. Over the past decade, his work has explored the evolving dynamics of Hollywood, celebrity, and pop culture through sharp commentary and in-depth reviews. Richard’s writing combines personal insight with a broad cultural lens, and he continues to cover the entertainment landscape with a focus on film, identity, and narrative storytelling. He lives and writes in New York.
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