Afterimage

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Articles in March-April 1999 issue of Afterimage

• The future's past: re-imaging the Cuban revolution
  by Jeffrey Skoller
• Getting a shelf life - various artists, various galleries
  by Buzz Spector
• Kurdistan: In the Shadow of History - Review
  by Maria Antonella Pelizzari
• The eye of Brassai - Brassai, Museum of Fine Arts, Houston, Texas
  by Stuart Alexander
• The Unmapped Body: 3 Black British Artists - Review
  by Sarah K. Rich
• Art.com: California Governors Conference on the Arts
  by Robin Oppenheimer
• Thinking locally - visual art, various artists, Yale University Art Gallery, New Haven, Connecticut
  by Sarah K. Rich
• Mois de la photo - various photographers, various galleries, Paris, France
  by Jeannene M. Przyblyski
• The Passionate Camera: Photography and Bodies of Desire - Review
  by Eloy J. Hernandez
• On the walls in Belfast - various photographers, various galleries, Belfast, Northern Ireland
  by Jennifer L. Grigg
• Talking place - various artists, Canadian Museum of Civilization, Quebec, Canada
  by Donna Wawzonek
• The new flesh - movie photographers
  by Barbara L. Miller
• Media, Culture, and the Religious Right - Review
  by Amy Villarejo
• The photographic idea: reconsidering conceptual photography
  by Lucy Soutter
• Continuous weave - Margaret Wagner, Hewlett Gallery, Carnegie Mellon University, Pittsburg, Pennsylvania
  by Jon Luckett
• Cyborgs, avatars, laa-laa and Po: the work of Mariko Mori
  by Rachel Schreiber