Apollo

View more issues:

Articles in Jan 2008 issue of Apollo

• Directory of international art & antique dealers
• Asian art market: auction-house expansion and new cultural spaces are encouraging the growth of China's fledgling art market
  by Susan Moore
• Black-and-white Barcelona: John Russell Taylor finds the Van Gogh Museum's account of Barcelona in 1900 an oddly monochromatic experience
  by John Russell Taylor
• An art gallery for the office: Lisa d'Erf, director of the JPMorgan Chase Art Collection, talks to Louise Nicholson about the important role that contemporary art plays in the bank's life, currently highlighted by a travelling exhibition of some of its ma
  by Louise Nicholson
• Directory of international shippers of art & antiques
• Protestant virtues: to mark the publication of a catalogue of its Dutch paintings, the Metropolitan Museum of Art is showing its entire collection
  by Jonathan Lopez
• The many lives of a collector: when the lawyer Stuart Evans offered to create collections of contemporary British art for his firm, Simmons & Simmons, he unlocked a passion for collecting that has led to an exhibition opening in York this month
  by Rose Aidin
• Directory of conservators & restorers of art & antiques
• Click onto a new world of art: the internet has been a practical boon for artists, art historians and dealers—but might its most profound effects be on art itself?
  by Michael Hall
• Directory of international picture framers
• Nolan's hero: the Sidney Nolan retrospective at the Art Gallery of New South Wales has some curious gaps
  by Patricia Anderson
• Ten to catch: Apollo's selection for the month ahead
• Directory of specialist consultants and valuers
• 1950s AD
  by Matthew Collings
• Giving the Prado space to breathe: Rafael Moneo's extension has transformed the experience of visiting the Prado, writes Xavier Bray, especially as it returns much-needed space to the collection's display
  by Xavier Bray
• The word made mosaic: Tom Phillips talks to Ruth Guilding: Tom Phillips creates works out of words as well as images and ignores distinctions between fine art and decoration. His contempt for boundaries has produced a remarkable masterpiece—a design
  by Ruth Guilding
• Medieval sculpture: strong interest from private collectors attracted by moderate prices has fired up this market
  by Lucian Harris
• Klimt set to dazzle: Elizabeth Clegg reviews two major publications on Gustav Klimt, one from Austria and one from America, that pose the question of whether he is best understood in a national or an international context
  by Elizabeth Clegg
• Drawings in Dresden: newly identified works by Italian masters: a curatorial exchange programme between the Metropolitan Museum of Art and the oldest collection of Old Master drawings in Germany, the Kupferstich-Kabinett Dresden, has led to the identifica
  by Carmen C. Bambach
• When fashion set the tune: Sanda Miller reviews an intriguing exploration of the relationship between music, fashion and modernism
  by Sanda Miller
• Egg hatches a record in London
• Rebels against commercial ugliness: commissions from the innovatory Curwen Press helped Edward Bawden and his fellow artists to revolutionise graphic design in interwar Britain
  by Peyton Skipwith
• Art business: buying art online via galleries or at auction is increasingly popular—but do the benefits outweigh the disadvantages?
  by Ben Wright
• The ghost of Giorgione: despite its claims to resolve the enigma of Giorgione, this new book creates more confusion
  by Simon P. Oakes
• Long journey's end: the revival of St Pancreas could never have happened without the Victorian society, which was founded 50 years ago
  by Gavin Stamp
• Keeping it in the country: in a review of a book on the art treasures of the United Kingdom, published in the January 1930 issue, C.K. Jenkins offered a novel suggestion for persuading owners of great works not to sell them
  by C.K. Jenkins
• Underneath the warpaint: Susannah Woolmer applauds a revealing, and often moving, catalogue of the paintings in the Imperial War Museum, London
  by Susannah Woolmer
• Rooms divided: the new installation in Tate modern's Turbine Hall is far from being the first attempt by an artist to undermine a building
  by Martin Gayford
• Around the galleries: both New York And London have riches on offer this January for collectors of drawings
  by Isabel Andrews
• Apotheosis of the cliche Pop Art Portraits: 'I like boring things. I like things to be exactly the same over and over again', said Andy Warhol, hero of 'Pop Art Portraits' at the National Portrait Gallery, London. That's the problem with pop art
  by Rob Tufnell
• Directory of international auctioneers of art & antiques
• The art market
  by Susan Moore
• Riches in Ferrara: the artistic achievements of the d'Este court in the 15th century are being celebrated in a two-part exhibition that has Cosme Tura at its heart
  by Robert Oresko
• Directory of British art & antique dealers
• Indulge your greed for drawings
• Perfect—and vacant: Ruth Guilding visits a Canova exhibition in Rome that focuses on the sculptor's relationship with Napoleon and his family
  by Ruth Guilding