Apollo

View more issues:

Articles in March 2004 issue of Apollo

• French Inventories I: the Houses and Collections of the Marquis de Marigny
  by Peter Hughes
• All that glisters: selections from the Victoria and Albert Museum's base metal collections
  by Angus Patterson
• Books—old and new
  by Nigel McKinley
• Oh monstrous lamp! Wendy Bird examines the special effects in Goya's a scene from El Hechizado por Fuerza in the National Gallery, London
  by Wendy Bird
• The 12th British Antique Dealers' Association Antiques & Fine Art Fair Duke of York's Headquarters, Kings Road, Chelsea, London SW3 24-30 March
• After Hearst: Martin Chapman discusses acquisitions in European decorative arts at the Los Angeles County Museum of Art
  by Martin Chapman
• The Guidoriccio fresco: a new attribution: Thomas de Wesselow argues that the celebrated fresco, traditionally known as Guidoriccio, in Siena's Palazzo Pubblico, is not by Simone Martini, and proposes an alternative candidate
  by Thomas de Wesselow
• Thomas Hope's house in Duchess Street: the interiors created by Hope to display works of art in his London house were some of the most influential of the Regency age. A fuller story of their evolution can now be told, following the discovery of drawings b
  by David Watkin
• Haarlem genre painting: Dennis P. Weller visits an exhibition focussing on the artistry of Frans Hals and his contemporaries
  by Dennis P. Weller
• Kenwood's lost chapter: Julius Bryant reveals the forgotten story of the National Gallery's management of the Iveagh Bequest, 1928-49
  by Julius Bryant
• A nomad of the 1890s: a comprehensive restrospective only serves to prove that Charles Conder's best work was produced in his six Australian years
• Leonardo da Vinci on beauty and ugliness: Carmen C. Bambach praises a ground-breaking exhibition of Leonardo's drawings from the Royal Collection
  by Carmen C. Bambach
• The Pleasures of Antiquity: Gertrud Seidmann welcomes Jonathan Scott's masterly survey of British collectors of Greek and Roman antiquities
  by Lisa Pon
• Raphael, Cellini and a renaissance banker: the patronage of Bindo Altoviti: Yasmine Helfer reviews a long awaited exhibition in Boston and Florence, which brings together the portraits of a remarkable patron
  by Yasmine Helfer
• Cellini and the Principles of Sculpture
  by Lisa Pon
• Hendrick Goltzius and Willem van Tetrode: two related exhibitions have admirably demonstrated a refreshingly outward-looking side of renaissance Dutch art
  by Vanessa Schmid
• A Fanfare for the Sun King: Unfolding Fans for Louis XIV
  by Harley Preston